Showing posts with label images. Show all posts
Showing posts with label images. Show all posts

Wednesday, August 5, 2009

Latin Vulgate Ms.pf.Med.97 at the Boston Public Library

A few days ago I traveled to Boston to take care of some business before schools starts. The professor I work as a research assistant for primarily focuses on Medieval literature. Next semester she is teaching a course about Medieval History and Literature. One of the assignments she plans on giving involves transcribing a Psalm from a 15th century Italian psalter and comparing that text to the Biblia Sacra as well as the full Latin Vulgate text. This demonstrates the differences between words and also brings to light things like abbreviations and unfamiliar symbols. Essentially, my job was just to test-drive the assignment to ensure that it was clear and could be completed as planned.

The Rare Books and Manuscripts Room in the BPL is tucked away behind a gallery space and through the Art and Music section of the library. I thought I would never arrive but old, worn hand-painted signs told me I was headed in the correct direction. I eventually made it to a serene dimly lit room, lined with glass cases that were full of old books.

After filling out some paperwork I was finally buzzed into the reading room and the librarian behind the desk showed me the books that had been pulled, waiting for me on the table. I had no idea the manuscript was so huge--literally, over 2 feet tall and with each page more than a foot and a half wide with heavy leather covers and vellum pages. To the right you can see the Latin Vulgate next to one of the volumes of the Biblia Sacra (a thick book as well, but dwarfed in the presence of the medieval beast next to it). The cover is adorned with metal and has leather straps to keep it closed. Along the bottom are metal spikes and there are also metal bars to support the pages when the book is open and propped up (presumably in front of the choir or congregation). It's an absolutely gorgeous book and it was an amazing experience to open it and turn the thick pages for myself, pages that were painted and written on over 500 years ago.

To the left is a photo of the historiated initial of my assigned Psalm (5). The text is almost entirely composed of abbreviations, with very few full words. Given the size of the text, this makes perfect sense since if the words were written out the book probably would be quadruple its current length. Also, since it was written and illustrated by hand, a longer text would obviously require more time to write.

As you can see, the illustrations and writing are in beautiful condition. Some pages are more faded than others, but almost all the illuminations are equally vivid and crisp.

I've never been terribly interested in Medieval books, although I think illuminated manuscripts are wonderful pieces of art. However, this was an amazing experience--a million times better than seeing a manuscript in a museum (and--horrible as this sounds coming from an Art History student--even I have to admit that museums can be very dull places). Being able to open the covers, turn the pages, and look closely at the illuminations is an experience that I wish all people could have. I'm sure it would promote far more respect and admiration for the past, and for books in general, if everyone could have such an intimate experience, bridging hundreds of years and brushing their fingertips over the very same pages that human hands constructed centuries ago, hands not so different from our own.

Sunday, August 2, 2009

The Codex Seraphinianus by Luigi Serafini

This post is not about a book I've read or am reading, but a book I read about and would love to see in person. I'm currently reading A History of Reading by Alberto Manguel. He discusses "picture reading" in one chapter and mentions a book by Luigi Serafini entitled The Codex Seraphinianus. I found quite a few nice scans of pages on an ebay listing (and I'm sure a google search would yield plenty of results), but these images are from an article in The Believer: The Codex Seraphinianus.

(click to see them bigger)










Manguel writes about how the publisher he worked for received a strange parcel in 1978, one that contained the pages of Luigi Serafini's book:

The accompanying letter explained that the author, Luigi Serafini, had created an encyclopedia of an imaginary world along the lines of a medieval scientific compendium: each page precisely depicted a specific entry, and the annotations, in a nonsensical alphabet which Serafini had also invented during two long years in a small apartment in Rome, were meant to explain the illustrations' intricacies. Ricci [the aforementioned publisher for whom Manguel was working], to his credit, published the work in two luxurious volumes with a delighted introduction by Italo Calvino; they are one of the most curious examples of an illustrated book I know. Made entirely of invented words and pictures, the Codex Seraphinianus must be read without the help of a common language, through signs for which there are no meanings except those furnished by a willing and inventive reader.